Pugh's Place was formed in Leeuwarden, Fryslan. Guitar player Hans Kerkhoven played in a local band in 1965 called Example. They started playing covers before writing their own progressive sounding tunes, and changed their name to Pugh's Place.
In '69, they released a single, Nothing is Real/The Horoscope, which was directly followed by this album, "West One", their debut full length from 1971. After it's release they toured the Netherlands and from that, produced a live album in 1972 along with some unreleased tracks.
During that period, Hank Kooistra (organs) and Jan Ottevange (bass) left the band. When Jan Van Der Hyde (guitar, flute, vocals), and George Snijder (drums) left, it was the end for Pugh's Place.
The groups music isn't too complex, it's probably best described as "Proto-Prog."
You can hear an obvious Deep Purple influence via the Hammond, and there's also a prominently featured flute a'la Jethro Tull. Very tight, clean drums and riffs. Cool version of "Baby you Can Drive My Car" that sounds NOTHING like the Beatles what-so-ever. Progressive instrumentals, thick with Hammond and flute.
Speed, Glue, and Shinki, an awesome Japanese psychedelic power trio was formed in 1970 by Shinki Chen (see the feature on his self titled LP on this blog) and Okuzo Orita, president of Polydor records.
Orita had previously produced an album by Shinki Chen; who was considered the Japanese equivalent of Hendrix. To many in Japan, Shinki's first self titled album is now considered a classic and is part of Universal Musics 'Naked Line' series of legitimate digitally remastered re-issues. After the release of Shinki Chen's debut solo L.P, Orita took over the Japanese division of Atlantic Records and brought Shinki over to the label. Orita formed the trio "Speed, Glue, and Shinki" with Golden Cups bassist Masayoshi Kabe, and Filipino singer/drummer Joey Smith, whom Shinki discovered performing at a shopping center. The band took their name from Smith's use of amphetamines, and Kabes interest in sniffing Pro Bond glue during the '60's. Speed, Glue, and Shinki released their debut album Eve in 1971. Then they split up due to mixed reviews and low sales and as Shinki and Kabe couldn't tolerate Smith's personal life. After they disbanded, a large double L.P. was independently released by Smith titled 'Speed, Glue, and Shinki' which was mostly the work of Joey Smith, sampling guitar recordings from previous studio work. However, it also featured two unreleased songs titled 'Sniffin' and Snortin' and 'Run & Hide' which had been recorded for Eve, but cut from the final release, as they didn't fit the albums overall sound. Thereafter, Shinki took a disliking to recording music, and decided to become a live musician only; which he continues to present day.
From Deep Purple's page: "We place this music video piece as tribute to Australian Rock legend Jim Keays, lead singer of The Masters Apprentices, who has died at the age of 67 on June 13th, 2014.
A band with a confusing name and a confusing history, the Mike Stuart Span did manage to record aclassic British psychedelic single in 1967, "Children of Tomorrow." With it's driving power chords, squealing guitar leads, and haunting harmonies, the song struck a classic midpoint between hard mod-pop, and the early psychedelia of UK groups like the Pink Floyd and Tomorrow. The problem was that hardly anyone had actually heard the record, as it was pressed in a run of 500 copies on a small independent label.
The Brighton group had been around since the mid 60's, and recorded a few other singles for Columbia and Fontana with a much more convetional pop approach. There was actually no one named Mike Stuart in the act, which began to rely much more on self-penned psychedelic material in 1967. Most of this never got beyond the demo/peel session stage, though. The band was pressured by management to make an out-and-out pop single in 1968 that flopped, helping to squelch ant prospects of the musicians asserting themselves as a significant presence in the British psych/prog scene.
In the late 60's, the Mike Stuart Span were actually featured on a BBC TV documentary called AYear in the Life (Big Deal Group), which charted the bands successes and (more commonly) failures over the course of a year. By the time it aired in September '69, however, the group had just changed their name to Leviathan, signed with Elektra. released a few singles, completed an unreleased album, and broke up. Nothing else they recorded matched the brilliance of "Children of Tomorrow", though much of their original material was infused with the same yearning for some sort of just-passed-the-horizon utopia. But they left behind a number of demos that demonstrated a promising a promising ability to wed hard psychedelic guitars with a fair knack for melody and harmony. Interest in the band increased in the 80's when "Children of Tomorrow" was featured on a few psychedelic compilations. An entire albums worth of tracks, culled from singles, demos, and a BBC session Finally saw the light of day in the mid '90's. - Richie Unterberger
The Masters Apprentices (or The Masters to their fans) were an Austrailian rock band fronted by Jim Keays on lead vocal, which formed in Adelaide, South Austrailia in 1965, relocated to Melbourne in Feb. 1967 and attempted to break into the United Kingdom market from 1970, until they disbanded in 1972. The band featured singer Fred Keays, along with songwriter/rhythm guitarise Mick Bower. The band's earliest material combined gritty R&B British rock like The Pretty Things, combined with the melodies of the Yardbirds. Bowers left the band after suffering a nervous breakdown in 1967. Plagued by instability, (undergoing eight personnel lineups between 1966 and 1968), the group moved to England in the early 1970's, achieving cult success by releasing progressive albums. Their popular Australian singles are "Undecided", "Living in a Child's Dream", "5:10 Man", "Turn up your Radio", and "Think About Tomorrow Today." The band launched the career of bass guitarist Glen Wheatley, later a record industry entrepreneur and an artist manager for both the Little River Band and John Farnham. They were inducted into the Australian Record Industry Association (ARIA) Hall of Fame in 1998 along side The Angels. This album, their third, was a first attempt for the band to record an entire album. Both Keays with His Masters Voice, and Wheatley with Paper Paradise wrote memoirs in 1999 which chronicled their time in the band. Guitarist Peter Tilbrook released the biography A Masers Apprentice; Living in the 60's in 2015.
Another complete mystery. It was pretty hard to find the sliver of info I have. And that is, there's no info. It was a band of total unknowns out of Englad, pressed on a private label with the catalog number being: MON 1001 on the "Montrose" label, U.K. The Song is really cool, and I would give it the tag of Proto-Metal. I couldn't find The B-side, "Tell You I know", but one site (they posted Evil City, but left off Tell You.., and described it as not as impacting, and a lot more mellow. I wish I could hear it for myself. I will end this post with the exact same question every site that has posted this band has asked, anyone have any more info?
"Methuselah was one of a handful of English bands signed to Elektra Records in the late 60's, when the New York based label, flush with cash (courtesy of the Doors and Judy Collins) tried to expand on rock music and world stages. Their roots lay in a pair of earlier 60's bands The Dimples and Gospel Garden formed by John Gladwin and Terry Wincott, two school friends, drummer Mick Bradley of The Sorrows, and guitarist Les Nicol joined the psychedelic/pop outfit Gospel Garden and the group renamed itself Metuselah. Influenced by folk and gospel, the quintet managed to put all of that together a a coherent whole in an electric rock context. , and landed a three album deal with Elektra. Only one album ever saw the light of day, astonishingly in the U.S. only, mixing folk gospel, and R&B and wrapping it all up in a hard rock sound. With the group absolutely unknown in the U.S. the album went completely unnoticed and died an instant death. Methuselah turned right around and recorded a second album in 1969 which was similarly eclectic."
The band ended up splitting due to the members getting sick of which instruments they played and John and Terry got sick of their vocals being buried by the loud electric sound of the band and went off and started a Medieval Folk band called The Amazing Blondel. Mick Bradley ended up a member of Steamhammer, while Les and Craig formed a psych band called Distant Jim. Methuselah was only active for two years. ('67 to '69).
I gotta admit, this one is a complete mystery to me. I just happened across the graphic while hunting for another. I've done my fair share of studying Vertigo, it started with a feature in Record Collector magazine, the complete swirl label catalog. There was a description, pricing and notes about every Vertigo swirl label, and it spanned over two issues. Part 1 had a feature about Black Sabbath as well. The caption on the cover read: "Vertigo and Black Sabbath. The heaviest band, the worlds most collectable label." This title was not among them. I hit the web looking for anything about this interesting looking disc. First I tried youtube, hoping it was on there so I could give it a listen. No dice. Using the keywords "Vertigo Superheavy Vol.1" (I felt that was thorough and direct..) the only thing that came up besides workout videos (?!?!?!) was a tune from the band Ronno, "Power of Darkness." And Hey, wait! There's a blurb about the song below the video screen. Holy shit, it says "From the album: Superheavy Vol.1"
O.K. Well, that's something. At least I know this song was featured. And, It kick ass. The picture on the clip is even taken from the back cover of the album. So I looked up Ronno. Found one more song, although not as "heavy" per se, not at all like"Power of Darkness." Turns out, both of these tunes are from one single. (I believe the single is worthy of a post as well) Okay, paging through my initial search I found another. Beggars Opera, "Sarabande", alright, look at the blurb... It's all in spanish! I shouldda stayed in school! But again, "Superheavy Vol.1", now THAT I can read!
This is cool. Whoever did this is showing off the cover and playing it on their turntable. (Making the sound quality sup-par, oh well..)
Making progress. See, my whole point was to post it as the first comp. that I featured on this site, and low and behold, I can't find shit. 2 Down, more to go. But no more youtube clips. So I took to the search engines and began looking for anything. I found the cover for "Vol.2", but that's a task for another day. See, if I can find out what songs were featured on this sampler, I got my post. Dead ends galore until I punched in the catalog number 6360 061. I find a list of all vertigo releases. Booyah! now all I gotta do is look it up. The fucking catalog number is NOT LISTED. It jumps from 060 directly to 062! WTF? I am becoming more and more obsessed with tracking this down. I feel as though I'm on the hunt at a record fair. Ding! another hit. This one is from a site called Rare RecordCollector. There it is! "Superheavy Vol.1" - Various 1972. AND The mystery is solved. Even with no track listing, and no description, Not only do I find out the songs featured because there's a scan of the label, but, I find out it was only issued in Peru! Therefore, that catalog number only exists in Peru.
Wow. Wasn't that fun! This little venture was a bit time consuming. I guess that's what I like about it. Plus, I've been kickin' some great sounds all night. So, without any further babbling, I bring to you Vertigo Records "Superheavy" Sampler Vol.1. I will leave the critique to you, as I've spouted off and typed too much already. Hope you enjoy it! Cheers!
Second Life is a Hard Rock power trio that should appeal to fans of Hendrix, the self titled debut L.P. (Metronome Records 1971) is heavy on the Hendrix power trio approach to the music, especially the vocals. The Album kicks off with a 20 minute opus, "Second Life." A collage of explosions give way to some down beat acoustic guitars and vocals, Slowly the track builds up into a heavy guitar jam (the 'Second Life') with heavy blues riffs and some Hendrix-esque solos before kicking into a 6 minute drum solo. Following the drum solo, it goes back to some heavy riffs and ends with another set of explosions. "Raiders of the Night" in anthem like with heavy riffs and a catchy chorus. The album is quite rare now and fetching hefty prices. Plus, the covers lamination "is peeling off on every copy I've ever seen" according to one collector. So don't expect to find any perfect original copies. And, If you do, be prepared to pay for it! A damn fine album in my opinion. It's a great debut, but after it was released, the band changed their name to Tiger B. Smith and releaseed a self titled L.P. on Vertigo and "We're the Tiger Bunch" on Bacillus before they split in 1975.
Sleepy John came together late 1969 in Lewiston, Idaho. A very short lived band, by very impressive. They mostly improved their tunes, and their communal house was host to all types of musicians as a place to jam. They formed out of the remnants of two bands. One from Lewiston, ID, and another from Valhalla, ID. They never actually met though, until both of them ended up in Seattle (apparently to aid in dodging the draft). They played alot in the Seattle area as well as Canada. In two different sessions, they recorded some really great material which never officially was released. It was recorded in one of the members basements, so it's definitely got that raw feel to it. Hard Rock with very prominent Hammond among heavy distorted guitar. They spent a good chunk opening for a number of bigger acts (the Zombies, Moby Grape, and The Mothers of Invention) and apparently, Frank Zappa was so impressed with them that he wanted to arrange that they be the opening act on a tour for one of his acts, Wild Man Fischer. It definitely sports a Uriah Heep/Deep Purple kinda feel to it. The unreleased recordings were ultimately released on Gear Fab in 2004 (GF-205) L.P., CD, CASS, and again in 2014 on Guersson (GUESS133) L.P. Spain.
Socrates Drank the Conium, a.k.a. Soctrates, is a Greek rock band that formed in 1969 and got big in the '70's. They were influenced by heavy blues and hard rock acts such as Hendrix and Cream, the band melded time signatures of progressive with hard rock and blues rock, making a pretty unique sound that set them apart from other Greek bands of the time. The group has gone through many lineup changes throughout the years, but the two core members have remained: Guitarist Yannis Spathas, and bassist/singer Antonis Tourkogiorgis. The band began it's career in the clubs of Athens, most prominently Club Kyttaro This 1972 album is their debut full length, although they had appeared on Live at Kyttaro, (1971)a compilation of Greek rock bands recorded live at the Club Kyttaro in Athens and is considered one of the best records in the history if Greek rock.
Here is the eponymous debut along with "Taste of Conium," both released in 1972. The band covered Hendrix and Cream when gigging around although none of these cuts ended up on record. However, a cover of "Satisfaction" by the Stones is the opening track on "Taste." (a MUCH more lengthy and jam-like version I might add! Mass guitar freakout, with an awesome bass guitar bashing and drum solo as well! Shit, the first song is like a fucking mini concert!) Awesome opener for the album. Check out THIS.
Outside of Greece, the band is most known for Phos, their 1976 collaboration album with Vangelis. Phos was mostly re-workings of older songs by Socrates, but with Vangelis' production and contributions on many tracks.
In 2002 Socrates reunited (in an expanded form, they added keys and a second singer) to do shows around Greece. This lineup remains active today.
-O)))
German band Haze's 1971 album "Hazecolor-Dia" is probably best remembered for it's packaging. The front cover has a transparent window to view the inside sleeve through, actually pretty cool, and most likely one of the reasons that this album, if you can find it or the German gatefold version is so expensive. the album was recorded in April, 1971, in Clerk's Studio. featuring guitars to the fore and a very bizarre vocalist. Haze were among the earliest of the German 'hard rock" sound, into which they mixed a variety of progressive elements,venturing into psychedelic and blues realms. Haze plays interesting hard rock reminiscent of Nectar, or Message.
They were also typical of the Bacillus Records sound, if more song based than most, venturing into psychedelic and blues realms. Haze plays interesting hard rock reminiscent of Nectar, or Message.
Cleverly arranged heavy progressive rock, psychedelically fueled with a faint blues tinge, featuring humorous lyrics, "A Way to Find Paradise' is about a hippy's struggle to get his hashish to smoke.The singer has really strange and wild voice (for me, kind of annoying) adding to their ''freak rock'' style. haze, in part, seems to draw their inspiration from Edgar Broughton Band, Arthur Brown, and Captain Beefheart. This, their only album, is recommended for all "freak rock" freaks.
Goliath. This has to be just one of a large number of bands sporting the same name. This Goliath however, was formed in Terra Haute, Indiana by Bill & Steve Peters, (bass & drums respectively), Dave Wood (Keys, Moog, Piano), Paul Bays (lead guitar), and Jim Kitchen on vocals. It's fairly typical early 70's hard rock/progressive rock that's kind of blues driven guitar rock bordering on AOR. Pressed on their own label, The Bridges, the album was recorded in Kentucky, which has lead many reviewers to mistaking the home town of the band.
Arising out of a garage band, The Primitives, that played British Invasion tunes, The New Primitives
came together in New York City in 1966. The band kept busy the next few years. Around 1968 former 50's crooner turned manager Johnny Mann saw the band and promised to get them a record contract.The addition of a new guitar player made the New Primitives become Majik Ship. Mann introduced the band to the Tokens, who produced their first single "Night Time Music." It became a local hit and even got some national airplay as did their second single "Hummin'."
This album is total fuzz psych with those cool ass echo-ee '60's vocals. At times he's singing his guts out. Gotta love it. That and a lotta guitar work makes it a great listen.
After a couple more singles and a lot of touring, they found their way into a studio to record their eponymous debut in 1969 mixing hard rock, pop, and psych a la Vanilla Fudge. The band continued another two years with plans to record a second l.p. until their shared house burned to the ground in 1971 along with all their recording equipment and instruments. They called it quits thereafter.
Never Never Land is the 1971 debut albufrm om the Pink Fairies. The group was formed when three musicians from The Devients, having sacked their singer Mick Farren after a disastrous West Coast North American tour hooked up with Twink. These musicians had previously collaborated on Twink's "Think Pink" prior to the tour, and during the tour Twink, Farren, and Steve Peregrin Took had used The Pink Fairies Motorcycle Club and All Star Rock and Roll Band name. Taken from a story by Jamie Mandlekau, as an umbrella for their activities. Polygram commissioned the band to do a single "The Snake/Do It" and were happy enough with it that the offered the group a contract for an album. The cover was really cool. It came in a printed PVC cover with an inner gate-fold sleeve depicting different scenescapes and a printed inner sleeve with a photo of the band. 200 Copies were pressed on pink vinyl that same year. I'd love to get my mits on one of those. My fave tune on the disc: "Thor." Dig it.
