Thursday, February 25, 2016

The Third Power - "Believe" 1970 & "We, you, I" b/w "Snow" 1968

Another Detroit trio predictably hailed as "The American Cream"in the endless roster of bands touted s such. Truth is, what band wasn't compared to Cream back in the day? Having said that, this release is no where short on it's own merit. The band's 1968 debut 45 (included as bonus tracks on the reissued CD) saw them in a much more psychedelic phase than what's collected in this , their sole L.P.
One can imagine the excitement to the band brought on by being signed to the Vanguard label, but upon it's release, the label felt the material was "too hard" for is listening public and subsequently failed to invest any backing at all, effectively making The Third Power's debut full length it's swan song.  Despite regular exposure as support acts for other Detroit area acts such as Bob Seger, and the MC5, the band disbanded shortly after the failure of their Album. The only member that achieved any success was guitar player Drew Abbot, who secured a gig with Bob Seger's Silver Bullet Band.
In 2009, The Third Power reformed to play the Grande Ballroom's 40 year reunion with Arthur Brown, Big Brother & the Holding Company, and Canned Heat.















Thursday, February 11, 2016

Head Over Heels - s/t 1971

Formed in 1970, and disbanded in 1971, from the "land of the power trio's" Michigan, U.S.A., was alive only for a brief moment. At which time they left this, their sole self titled album. A God-Damned shame if you ask me, as this was a quality outfit. Keeping in the Michigan "Power Trio" tradition of screaming guitars, and early heavy metal type vocals. A lot of energy and talent in this one. Originally released in 1971, this album claimed almost instant cult status and sits in well with bands, Damnation, Power of Zeus, and Grand Funk, and sits in well with a host of other high energy American Rock 'n Roll bands.











Sandoz - "Pay Attention" 1971

From: Fantasy Blog (Highly recommended): "The kind of underground recording you always hope somebody'll unearth, but rarely does. Completely gone and twisted, over-the-top Beefheartian rotgrunt 'n bluewshowl from an early 70's band nobody'd previously heard about."
And I couldn't have said it better. Released in 1995, the E.P. consists of three tracks: "Apple Core Machine" (some really out there whacked out poetry), "I Ain't Strong", and "Demi-God."
John Goodshall is the entity to blame for this almost Edgar Broughtonesque opus. Which may be more than coincidence since the shared the same home turf. (but that's just one fellows speculation).
Sadly, I could only find two of the three tracks online, so I guess that means you'll have to go and BUY IT for the full effect! Released in 1995 on vinyl in an edition of 350, and again on cassette in 2012 on Acid Punx. (100 copies)




Cass.


Orange - "The Sun" b/w "Wait Until Sunrise" 45 1969

Early, EARLY Belgian heavy metal. Killer psych/fuzz, with a blues base and crawling pace.
This is the first of I believe four 7" singles for Orange, which were sporadically  released throughout the 70's, with the last installment in 1981.










Sunday, January 24, 2016

TNS - "Time's Up" b/w "Telling Your Fortune" 45 1972

From PUREPOP: "Time's Up is a remarkable no holds barred overdriven Michigan Rock classic and the archetypical example of the perfect Proto-Punk performance."
From Grand Rapids, Michigan, they were originally called the TNS Blues Band, they shortened their name before recording this sole slab of sonic 70's proto-metal/punk. Good luck findin' this one!






Darkseid - "Ground Zero" b/w "Land of the Darker Sun" 45 1973



Galaxis - "Someone Needs Your Love" b/w "True Experience" 45 1971?


Does anybody have any info on this single? 1971? Germany?


Ronno - "4th Hour of my Sleep" b/w "Powers of Darkness" 45 1971

Before his work with David Bowie as one of The Spiders from Mars, Mick Ronson was a session musician. He was classically trained to play piano, violin, and recorder, and later, the harmonium. He initially wanted to be a cellist, but moved to guitar when he discovered the music of Duane Eddy.
He began his career with bands The Mariners, The Crestas, The Voice, The Wanted, and the Rats who recorded a one-off psychedelic track "The Rise and Fall of Bernie Gripplestone" in 1967.
Enter the Bowie era. During the sessions of The Man Who Sold The World under the moniker The Hype, the band, which consisted of Ronson, Tony Visconti, and Woody Woodmansy (the band put together as Bowie's backing group) was signed to Vertigo records. They recruited Benny Marshall of The Rats a vocalist, and entered the studio to record an album. By the time the single appeared, The Hype had been renamed Ronno "4th Hour of my Sleep" was released to an indiferent reception in January, 1971. The Ronno album was never completed.
The track "4th Hour of my Sleep" as well as the b-side, "Powers of Darkness" appeared on "Superheavy Vol.1" a Vertigo records sampler available only in Peru.





Tuesday, January 19, 2016

Incredible Hog - "Vol.1" 1973

From Noisecreep: "If you ask any aficionato of heavy and arcane tuneage to rattle off a list of the burliest and best sounds to come out of Britain in the early 70's, the words Incredible Hog are bound to fall from their lips.
The London based power trio only managed to shoot out one L.P. in their time of existance -- the optimistically titled "Vol.1 --  but the legend left behind with that sole effort weilds more weight than most bands multi-album catalogs.
Formed in 1972 from the ashes of the band Speed Auction, Incredible Hog was made up of Ken Gordon (guitar/vocals), Jim Holmes (bass), and Tony Awin (drums).. The trio was taking in all that was to be offered musically in London at the time. Everything from the British blues boom, to the emerging sounds of progressive rock was all grist for their hefty brand of brew. Although they seemed to be self sustaining, booking their own shows at their own club called "The Pig Sty", they were determined to get a label to released their first L.P. The unknown Dart Label stepped into the picture to release "Vol.1" by the middle of 1973. Even though the album was thunderous from start to finish, the lack of funds Dart had to promote it made it fall into the cracks. Crestfallen over the situation, the band split up by the end of 1973." -by Tony Rettmann for Noisecreep










Monday, January 18, 2016

Morgan - "Love" a.k.a. Steve Morgan - "Morgan" 1969

Morgan, from Long Island, N.Y., released their sole album on the Probe imprint. A subsidarry of ABC in 1969. Garage Punk at it's finest with no blues/heavy metal elements what so ever. Morgan was fronted by guitarist/vocalist, and over all horn-dog Steve Morgan. Plenty of acid guitars and pounding drums for which to blow your speakers to hell.
Pychedelic Rock'n'Roll puts it: "Steve Morgan is one horny guy, and it's hard to tell if he's more interested in getting laid or hallucinating."
Rockesteria writes: "Steve Morgans sexually charged lyrics and over the top vocals will irritate some listeners but that's really a minor complaint as most of Morgan is full of fuzzed out guitar solos and solid songs. No beads or flowers for these guys. Morgan is straight up brooding hard rock psych"
I couldn't agree more.






It's All Meat - s/t 1970 / Underworld - "Go Away" 1969

From Toronto Ontario, Canada, It's All Meet recorded one album for Columbia in 1970. A truly superb album however very little known. The band consisted of Rick Aston (bass), Jed MacKay (organ/piano), Rick McKim (drums). Wayne Roworth (guitar), and Norm Writ (guitar). MacKay and McKim both previously played together with Toronto's Underworld, who's lone single "Go Away", released in 1968, is considered one of Canada's most sought after Garage rock songs.
It's All Meat sound a bit like the Doors on a few of the more mellow tracks on the L.P., others are really decent acid type psych.
All the songs included in this playlist are from the original L.P., as well as 6 bonus tracks found on the 2nd CD re-issue.
In addition, I've included the band's first non-album single, the garage punk rocker "Feel It", released in 1970.
The original album is so rare, you'll need at least $1800.00 to land a copy of your own. I'll settle for the re-issue.













Grannie - s/t 1971

From Record Collector issue 388 "eBay watch": Over the last decade or so, Grannie has become a by-word for obscure, collectable prog. Back in 1971 they were just a band with no record deal, playing a few local gigs, who decided to press their own album to sell to friends and family.
Perhaps it was the quality of the music (which was streets ahead of their contemporaries), the sleeve (a freaky "old lady with Les Paul" photo), or a series of Chinese whispers...
Whatever it was, thirty years later, Grannie has become a bit of a legend. So when the daughter of the bands Hammond organ player was, as she put it, "trying to scrape together a house deposit", she took her chances on eBay and decided that "someone who would appreciate it" should have the copy that was given to her father when the record was made.
She wasn't banking on the extreme interest that's grown around the record over the years, dating back to an early 90's Record Collector article on the rarest prog albums ever. When she bundled the record with "a hand-written account of the recording of this album and information about the band members themselves", collectors went crazy and bidding topped out at 2,151 British pounds sterling.You can find out more about the album -- and the myths surrounding it -- on the collectors forum http://verygoodplus.co.uk/ and the prog board http://www.progarchives.com/





Re-issue


Sunday, January 17, 2016

Aardvark - s/t 1970

The cool thing about Aardvark is that they brought a heavy as heel sound without the use of any guitar. Their music was solely keyboard driven. Sadly, this is another case of a really good band releasing one sole album, then falling into obscurity. You can't help but wonder what effect this band could have had on the evolution of hard rock bands. Would more of the metal bands today be using methods of delivering heavy music without distorted guitars? overdrive pedals?
Hailing from the Midlands, the band were mostly a studio project. With very little live performances to speak of. In fact, there's very little information about them at all.
Steve Miliner previously played keyboards for Black Cat Bones, ("Barbed Wire Sandwich" being their only release), but this band's popularity had much to do with Paul Kossof and Simon Kirke, who both left the band to form the band Free.
Definitely an important piece of British Psychedelia.







Monday, January 4, 2016

Stray - "Suicide" 1970

The second album of this band from Sheppard's Bush, U.K. Suicide is my personal favorite. Not entirely as raw as the eponymous debut of earlier the same year, but definitely as heavy and showcasing what I believe to be the band in their prime. Julian Cope writes about how for many fans, the title of "Best" Stray album is heavily debated between their first three (Jullian Cope Presents Head Heritage) I can fully agree that all three hold their own merit, and show how good a band Stray are/were, noting that "some bands never get this good", agreed.
These albums are still for the most part very affordable, whereas obtaining many of the bands original pressings profiled on this blog could very easily rival the purchase of your first private island. Best get while the gettin's good. Soon enough, collectors are gonna catch on and suck the wells even dryer. Of course that's just the vinyl junkie in me, scratchin' for another fix. What the fuck do I know.
STRAY'S BEST ALBUM. (opinion)




1st U.K. Press
2nd U.K. Press
???
U.S. press Cover

Wednesday, December 30, 2015

Lemmy Kilmister 49% Motherfucker, 51% Son of a Bitch, 100% Genuine

Like most, I learned of the death of Lemmy via facebook. It was a post from Classic Rock announcing what had transpired only less than a half an hour prior to, what I'm imagining to be a hastily written article "hot off the presses."
And, like most I was shocked.
At first.
But as the moments moved forward, I'd began to realize that somewhere in the back of my mind (and quite often, the front) I'd known that I'd be reading this story sometime in the near future.
There's always been this popular epigram that after the extinction of mankind, be it by nuclear war (the popular outcome of this particular proverb) or any other type of mess, that the only survivors would be cockroaches, and Lemmy.
And I suppose after witnessing the almost life-long chemical intake of a man who only slowed for a brief moment, right at the very end, it was easy to believe.
My thoughts turned right away to the last time I'd seen Motorhead perform, in Minneapolis. This was the first time of my life long dedication to loud abrasive music that I'd actually felt pain in my ears from the noise that band was making in front of me. My eyes squinted, my head retracted to the side, and for the fist time, I had to take a moment and "go get some air."
But right after that embarrassing memory (I say embarrassing because if it's too loud, you're too old right? Somebody tell Lem!) my thoughts turned to all the time I got to spend with Lemmy and Co.
Ask any one who's ever met Lemmy, (except a select few of which I'm sure you've heard stories) and they will all tell you the same thing, Lemmy is "one of the nicest, genuine people I've ever met."
And it's true. He always took the time for his fans. If only because what he'd said a thousand times was true, that without them, Motorhead would be nothing.
I was fortunate enough to befriend Lemmy to a degree where he'd call me whenever in town, and we'd go out to clubs before and after their show. And he'd even taken to talking with me over the phone somewhat regularly while having time off from runnin' 'round the world.
I'd gotten to know folks from the crew, Yogi (monitors), Hobbsy (sound), Vito (drums), Tim "the Butcher" (bass), Tom and Gomez (guitars) and of course Phil and Mikki. But another from the crew was a bit closer, Tony.
Tony was the LD (Lighting Tech.) & electrician for the band for a number of years. Lem had takin' to calling him "sparky" after an incident where Tony got jolted at the top of a very high ladder, and had ended up unconscious, hanging by the wires that had just almost knocked him dead.
Like myself, Tony was a record collector and he'd visit Minneapolis regularly for me to take him to the local record fairs.
It was Tony who, one night, after Mikki's tech had "fucked off" and left the bus while in Canada, suggested to Freddie (Tour Manager at the time) "well, Mike plays the drums..." and collectively all heads, including Lemmy's turned to me as if to say, "is that right?" And so it's because of Tony that I'd ended up with a very brief, very temporary stint as Mikki's tech.
Now, getting to know you're idol (in this case, Lemmy), and knowing that I was among a band that I'd worshiped since the age of eleven is one big fucking deal as it is. But finding yourself getting paid, money, to be on stage right behind the drummer for the entire show is an all out wet dream come true. (not because I fancy Mikki, you understand)
Knowing Lemmy is one part, but so is knowing his age. And every year with the release of a new album, a world tour, and all the "Lemmy business", that his "job" consisted of, every once in a while you'd silently think to yourself, "how long can this man go? Maybe that cockroach thing is true!"
The autobiography, the film, the man, the myth, the legend, after all was only human. (hard to believe, I know!)
Ah.. but getting lost in nostalgia is not what I'd sat down to write about.
Time wore on, as it always does when we're not looking. Knowing Lem was approaching 70 years, and witnessing a decline in his overall health, I knew that day was drawing nearer. I guess I began thinking about this after I'd heard a rampant rumor, some eight or ten years ago that he'd lost a leg due to amputation. After hearing this I promptly called him at home and he'd described to me what he said was no more than "a poison toe." just an infection, I assume brought on by diabetes. I'll stop there because it's not my place to discuss his private health issues.
And this was something I really thought about. I couldn't think of Motorhead without contemplating how much longer he was going to last.
There was never any question in my mind that he'd retire, stop touring, writing, playing or any of that shit. He'd even recently spoke of needing a "stick" to walk with. Although he said he'd only use it off stage, he went on to state that if need be, he'd use the stick on stage as well. There was never one doubt that this man, this purest specimen of Rock and Roll incarnate, would allow anything to slow him or stop him from bringing his message as loudly and as strong as ever.
And that is exactly what he fucking did.
The news broke, the initial shock was interrupted by a familiar feeling that I'd been expecting this day to arrive.
One by one, as I watched the news feed on facebook as well as twitter fill with, at first, the reaction. The "Oh No's", the "Sad Day's", the "How could this happen's", all the while I was thinking to myself that it wasn't all that shocking. I suppose just because I'd been watching closer than most. Aware of the drawing conclusion at some point.
Then a friend had posted the preliminary official word from imotorhead.com with the statement:

"There is no easy way to say this…our mighty, noble friend Lemmy passed away today after a short battle with an extremely aggressive cancer. He had learnt of the disease on December 26th, and was at home, sitting in front of his favorite video game from The Rainbow which had recently made its way down the street, with his family.
We cannot begin to express our shock and sadness, there aren’t words.
We will say more in the coming days, but for now, please…play Motörhead loud, play Hawkwind loud, play Lemmy’s music LOUD.
Have a drink or few.
Share stories.
Celebrate the LIFE this lovely, wonderful man celebrated so vibrantly himself.
HE WOULD WANT EXACTLY THAT.
Ian ‘Lemmy’ Kilmister
1945 -2015
Born to lose, lived to win."


 I got up from my seat and began to follow directions. I grabbed a three and a half foot tall stack of CD's, headed for the stereo, and began slinging Motorhead tunes back to back as if I were on the air.
Then I noticed my computer screen. I took my seat and began to scroll down my news feed and as post after post after post flew passed me, I'd noticed that it was non-stop praise, tribute, Motorhead, Hawkwind, as far down as I could go. I knew this was gonna be big news, but holy fuck! I looked as if the entire world had stopped, and all eyes, hearts, and clenched fists, whether Iron or not, were focused on this man.
I had absolutely no control over the roar of laughter that shot from me as I thought to myself "Fuckin' A Lem, you fucking did it! Right to the very end! You NEVER let the bastards grind ya down!"
I was consumed with a reflection that I had not planned, nor was I prepared for.
It was crystal clear to me. Here is a man who lived his entire life on HIS TERMS, Master of his own destiny. Bowing only to the few who led him in the direction he'd chosen early on.
Lemmy, 49% Motherfucker, 51% Son of a Bitch, BUT 100% REAL. 100% Genuine. 100% Honest. 100% Gentleman. 100% No Bullshit, and 101% Rock And Fucking Roll.
Here is a man who led by example. Perhaps one of the very last. We are ALL lucky to have known him. We were witness to what a person can be by staying true to heart, of sound mind, with strength from within. With integrity. Right up to the fucking end. No prisoners.

It has been stated that if Motorhead moved in next door to your house, your lawn would die. And that may be. But the seeds that Lemmy and Company have planted in my heart are growing ever stronger by the minute. Seeds he planted in all of our hearts, sprouting giant banners that read "Who the fuck are they to tell you you can't?!

"They're just a bunch of clowns, don't let 'em grind ya down."

Thanks for the lesson Lemmy.
You're still the Gov'ner.

your friend and comrade,
"Moth" Mike



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